Thursday, 21 April 2022

Stereo MCs - Sub89, Reading - 20th April 2022

Getting to this gig proved to be an endurance event in itself.

It was moved twice due to COVID restrictions and then the second rearranged date clashed with another event I was going to and I got a refund.

However, when that event itself was cancelled, I quickly rebooked and was off to see the Stereo MCs at Sub89 in Reading on an April Wednesday evening.

It had been a while since I'd been to Sub89 and it seems parking in Reading has got ever more restricted, while the one-way system has become ever more confusing (I'm not convinced I didn't go down a Bus, Cycle and Pedestrian only road at one point, but the sign had enough conditional text to please a reader of a Jack Reacher novel and I thought it said it was only restricted until 7PM!) - Eventually I managed to stop, literally, going in circles and found the Broad Street Mall car park and arrived at Sub89 about 8:40.

Judging from the number of people and the empty floor in front of the stage, it didn't look as though there had been a support act, but it's possible I'd missed one!

I bought a beer and waited, expecting the Stereo MCs to appear a little after 9, but, to zero fanfare or flashing lights, they appeared at 9 sharp.

Initially, there was just the two singers on stage, Rob Birch and a woman. Behind the scenes I could see a couple of people working electronic equipment and the sound was clearly coming primarily from there.

The set started well, moving through Fade Away (the updated setlist says, I'd forgotten, but it was performed at some point) into Everything, Black Gold and Sketch before surprising me by including Connected early on (surely their best known song and most bands would have saved it for the finale or maybe the encore).

Sorry about the sound again, but you'll get a feeling

Being, primarily, a 90s band, I was surrounded by people about 10 years younger than me and it was quite entertaining to see the different style of dancing that that decade featured. I'm pretty sure many of those around me had been regulars at raves in their time. An attractive grey haired woman danced energetically just in front of me, while some middle-aged-spread men waved their arms in the air.

What, though, had always set the Stereo MCs apart for me, was their sound, they were distinctive, catchy, rhytmical and clever and that was all here to enjoy.

At some point, a percussionist joined the singers, I'm not sure when, which added a more organic sound to the performance.

Some other lesser known, but familiar to me and the audience, tracks followed before Step It Up, Ground Level, Running and Deep Down and Dirty rounded out the main set in fine form.

The stage was, as usual at Sub89, minimalist, but that probably focussed the audience on the performance.

As a stage act, Rob B and his fellow vocalist, weren't showy, but exuded a charisma I'd found lacking in the Bastille gig I'd attended recently.

They had a presence all the big video screens and arena venue performance lacked in that. Maybe they'd have struggled at the BIC as well, but in the intimate confines of Sub89, they had the audience from the start and never let go.

Rob's vocals are, of course, more spoken than sung, but the woman (I feel bad for not knowing her name!) had a great voice and the combination was both familiar and pleasing to the ear, with a good sound balance.

The encore featured two songs I don't recall and the setlist didn't identify, although I'm sure I knew one.

They actually came back from that for a second encore where they performed a great version of Creation.

I had been looking forward to seeing the Stereo MCs live, had been disappointed to have had to cancel, but finally I was delighted to have seen them live, it was an enjoyable, involving and captivating gig - Go see them, if you get the chance!

Fade Away
A38 Vibes
Black Gold
On 33
Lost in Music
Elevate My Mind
Step It Up
Ground Level
Deep Down & Dirty
Encore 2:

Friday, 8 April 2022

Wet Leg - Pryzm, Kingston - 7th April 2022

Party Music for Sad People

Wet Leg are a band (maybe) fronted by a tall brunette and a more dimunitive blonde (Rhian Teasdale and Hester Chambers) from that hotbed of musical creativity, the Isle Of Wight.

Both play guitar and produce a quirky, Indie sound that they described in one interview as "Party Music for Sad People".

Having watched some videos on Youtube, I found them interesting enough to see if they were playing anywhere local.

There's a lot of hype around about them, so I feared they may already be lining up big venues, rather than the small ones I prefer, when I came across an offer to buy their CD and see them live in Kingston Upon Thames (a leisurely 30 minutes out of rush hour for me).

The combined price was just £15, so I suspected I wasn't getting a full on gig, but that was fine for the money.

The album was (is, I'm writing this on the day) released on April 8th, so the (two as it turned out) live sets were the day before at Pryzm, which is a nightclub in Kingston Upon Thames.

I arrived in Kingston and parked in one of Bentalls car parks, still not really knowing how long I'd need to be there, but the car park shut at 10:30 and the ticket said that Wet Leg would be on stage at 6:30PM, so I figured 4 hours would be plenty.

When I got to the venue, there was a long queue stretching down the street, so I did the sensible thing and crossed the road and had a 50p half in the Wetherspoons!

I was just finishing my drink when I saw the doors open and the queue start to move.

Once inside we went upstairs to a medium sized room, entering on one level with stairs down to the dance floor and stage. There was another balcony level above, but I'm not sure if it was accessed from the entrance or from above. I'd guess there 300 or so people inside by the time the band came on stage at around 7:45.

The audience was mainly young, Kingston is a University town, but I wasn't the only one with grey hair in the audience and there was a tiny lad with his mum and grandparents in some seats (most were standing), probably not yet 10.

The band came on from the side, their equipment setup for the set.

In the end, they played for about 45 minutes, more than I expected actually.

I have to say, from where I stood on the entrance level, the sound wasn't great, with the singer's vocals (The brunette leads mostly) often hard to distinguish over the instruments, but it was possible to distinguish the songs I knew from those I didn't and the overall feeling of a strong, powerful sound was definitely enjoyable.

The vocal delivery is not particularly melodic, more a spoken one, at one point I was reminded of the Flying Lizard's "Money" performance from long ago, although the band are more energetic than that.

As most people there had purchased a combined CD/Ticket, I think it's fair to say most weren't there to be critical, but as the performance went on, the band seemed to grow in confidence and the audience warmed up.

Songs like "Ur Mum", "Wet Dream", "Oh No" and the finale, "Chaise Longue" were obviously recognised by more people and received the best reception, but generally the band were entertaining and enjoyable.

Apparently there was another set with doors opening at 8:30, so it was relatively short but it had been an enjoyable set and very good value! Perhaps more bands should do 45 minute sets for more affordable prices?

Wet Leg are rather the band of the moment and, if I'm honest, I'm not sure they're not a little faddish, but I enjoyed the gig and am eagerly awaiting the postman with my copy of their CD!

If I'm proved wrong and they've got a long career ahead of them, I certainly won't be unhappy!

Edited to Add : The CD arrived and I have say there are some excellent, varied tracks (listening to 'Loving You' right now, very different and great vocals, so Rhian can really sing! Check out this video for even more proof) on there, so maybe (hopefully) there's a long term future for Wet Leg!

Being in Love
Wet Dream
Too Late Now
Oh No
Ur Mum
It's Not Fun
Chaise Longue
I got this from, but I recall 'Wet Dream' being later in the set. Tracklist seems about right, though

Friday, 1 April 2022

Bastille - Bournemouth International Centre - 31st March 2022

Maybe it was just me, or maybe it was them...

Over the last year or so, I've come to enjoy the music of Bastille, so I thought I'd go and see them live.

The nearest venue (outside London) was the Bournemouth International Centre, which is about an hour away, so not too bad (and quicker than going to many venues in London).

In terms of timing, all the ticket said was 'Doors 18:30', which seemed incredibly early, so I arrived about 7:15 and could hear music from the hall and it turned out a support act, The Native, were already playing.

They were a group of lads from, I think, Plymouth, playing Indy style music. For a support act, I thought they were pretty good. The sound balance wasn't too terrible (as it so often is) and their set was enjoyable. Definitely a good start.

There was another drum kit on stage with the word 'Dylan' on and after a short while a young woman with a guitar appeared and a young man sat behind the drum kit.

They started playing and another woman, a blonde, appeared and started singing.

The singer introduced herself as the 'Dylan' in question and their set was equally enjoyable, being quite a rock style set, including a cover of Guns N Roses' 'Paradise City', with a hint of Taylor Swift.

I'm probably just getting old, but it was refreshing to see a young female performer doing something other than RnB and she was pretty good - I hope she goes far.

Once again, for a support act, pretty enjoyable.

About 40 minutes passed and the lights went down again, to be replaced with a huge video display at the back of the stage and Bastille appeared.

Throughout the set the songs were interspersed and introduced by voiceovers (much as tracks do on their albums) and animated videos on the screen, which also showed live video from the gig at times.

I knew a lot of the songs and most of the audience around me in the first hour, when I stood close to the front, were clearly diehard fans (One bloke next to me sang every word of every song at the top of his voice, drowning out Dan much of the time, hence I moved!).

However, while it would be an exageration to say I didn't enjoy the gig, it all felt a little flat much of the time.

The band, aside from Dan, were mainly static, poorly lit and seemed relatively uninvolved. It was noticeable, too that, other than the two backing vocalists, no-one was introduced.

Dan himself skipped from side to side of the stage a lot, sometimes went up to the back of the stage and stood in front of the screen and sometimes reclined on what looked like a psychiatrist's couch, but while he talked to the audience from time to time, he wasn't very charismatic as a front man, in my view.

He also, by his own admission, seemed to be struggling vocally. At times he clearly wasn't hitting notes, showing his frustration, and after about half the set commented that he'd almost lost his voice.

Most of the audience, though, didn't seem to notice or care and cheered every song, bounced up and down to the faster tracks and regularly broke into co-ordinated clapping.

The highlights were the hits, of course, and they ended the main set with their best know, Pompeii, with its 'Eh-eh-oh, eh-oh' chant, following a lively cover of 'Rythmn of the Night'.

The lights didn't go up after that and the audience soon broke into a repeated 'Eh-eh-oh, eh-oh' chant and they were soon back for the obligatory encore.

This was a ballad and the lively 'Shut Off The Lights' to round out.

I like Bastille's music, although you could argue they're a bit Coldplay-ish, but if I'm honest, seeing them live didn't seem to add anything.

Maybe I was tired or just not in the right mindset to fully enjoy a gig that evening or maybe they were struggling to hit top form as they started their tour, but it won't rank as a favourite gig, although I certainly didn't feel it was bad as such.

The support acts had been good and it was good to hear my favourite tracks played live, but I don't imagine I'll go and see them live again.

I suspect, though, that a lot of the audience felt differently, certainly many seemed to be having a great time.

Set List :
Stay Awake?
Distorted Light Beam
Things We Lost in the Fire(New version)
Laura Palmer
Those Nights
Quarter Past Midnight
Back to the Future
Plug In…
WHAT YOU GONNA DO??? (Extended intro)
Good Grief
Give Me the Future
Grip(Seeb & Bastille cover) (Stripped)
No Bad Days
Happier(Marshmello & Bastille cover)
Run Into Trouble (Live debut, New Song)
Of the Night
Future Holds

Hope for the Future
Shut Off the Lights

Saturday, 19 February 2022

London Calling (Clash Tribute) - Boileroom, Guildford - Februrary 18th, 2022

Could a tribute band do service to 'The Only Band That Matter'?

This was a weird one, I saw the lead singer of 'London Calling' on the TV quiz, Pointless, and bought a ticket while the programme was airing.

I'm a bit suspicious (maybe the right word is snobby?) about 'tribute' bands, but sadly The Clash couldn't reform if they wanted to and, heh, the ticket was a tenner and a few miles from home, hardly a loss.

I arrived about 8 and, despite the tail end of Storm Eunice bringing down trees left and right, there were already a fair number of people there, maybe being a Friday helped, but they continued to arrive as the evening progressed and, while not as busy as I've ever seen it, it was certainly a good crowd by the time the main act arrived.

Before that, as I arrived in fact, there was a support act whose name escapes me now, but were described (as I recall) as a 'contemporary Punk band, with influences old and new', but to be honest, to my ear, they sounded for the most part dreadful. The 'singer' and lead guitarist, too, acted liked hackneyed Punk stereotypes and what little I could determine of the lyrics fell into the same category.

A woman on a guitar (bass, maybe, I didn't pay a lot of attention for long) was suitably distracted and refused to get involved in the posturing of the others, while the drummer actually sounded fairly good at times.

Perhaps, though, it's just as well I've forgotten their name.

London Calling turned out to do a final instrument check for a bit and then disappeared for another 15 minutes, reappearing around 9:15 dressed as The Clash.

There was a definite sense of expectation in the crowd, a good mix of students and old Clash fans, like myself.

I'd ended up right in the front, but figured I may move back if things got too rowdy, but despite a bit of OAP'ing (Old Aged Pogoing) to one or two of the earlier Clash tracks, the crowd was mainly enthusiastic, but relatively calm.

Forgive the terrible audio on the video clips.

Sadly, I can't find a setlist online, but the set featured a range of tracks, from early ones like Tommy Gun, Complete Control and Jennie Jones, through Capital Radio and I Fought The Law, tracks from London Calling, like Clampdown, London Calling, Guns of Brixton, Train In Vain, Wrong 'Em Boyo and Rudie Can't Fail, Police On My Back from Sandinista (the only track from that album, I think) to Combat Rock tracks, Should I Stay and Rock The Casbah, the latter of which, with White Riot, formed the encore.

So, to the 'only questions that matters', were they any good?

Well, yes, not bad at all.

Never having seen any other Clash tribute acts, I can't say how they compare, but most importantly, they certainly convey the energy and excitement of the Clash tracks live well.

I was especially impressed with the guitarist (playing the Mick Jones role) who seemed pretty accomplished to my uneducated ear, but everyone in the audience seemed to be having a good time (with the possible exception of one man a couple down from me, who never smiled once, even eliciting a comment from 'Joe' to that effect) from beginning to end and it's very much an ensemble performance.

You're never going to see The Clash live again and even if you could, who knows if they'd still be any good these days, so why not go and enjoy their songs live with 'London Calling'?

Saturday, 27 November 2021

Electric Six - Boileroom, Guildford - November 26th, 2021

This one came out of the blue!

I'd seen Electric Six in Reading 3 years before and, even though I'd quite enjoyed myself, wasn't sure I would again, but I saw this gig advertised when seeing Ren Harvieu and being so local and cheap, decided I'd go along.

Google was showing them as playing in Holland on this date and few of the ticket sellers' sites were showing this event, so I can only assume that the Dutch event was cancelled and the Boileroom gig added at short notice.

However, the late announcement didn't stop people coming from far and wide to see Electric Six and The Boiler Room was packed in a way I hadn't seen since my visit to see The Hoosiers some years ago.

The support band was a Guildford Band, Neon Islands, but to be honest, the sound was so bad for them (combined with most people chatting while they played, further muddling the sound) that it was hard to tell if they were good or not.

Electric Six came on around 9:30PM and featured a similar lineup to that I'd seen in Reading, back in 2018 and they had a lot less space to play with on The Boiler Room's tiny stage, but one thing they are never short of is energy.

I'd ended up right near the front for the start of their performance, with a group of 30 something male friends and a couple from Detroit, the woman of which said (and I've no reason to doubt her) that Jimmy, the drummer, was a relative.

The lineup was, of course, fronted by Dick Valentine, the only Fire period member remaining, but a couple of the other guitarists also looked familiar.

Dick thanked us for coming on such short notice and joked about being desparate to sell us some of the many albums they'd made and as he went along there was a running joke about each track being off "one of the albums".

I have to admit, most of my familiarity with their material comes from the debut album, "Fire", which features "Improper Dancing", "Gay Bar", "Danger, High Voltage!","She's White","Synthesiser" and "Naked Pictures (Of Your Mother)", all of which featured in the setlist, scattered amongst other tracks from later albums, including the openers from the latest album, "Bride Of The Devil" and the earlier "Switzerland".

There's a relentlessness to their playing and to Dick's vocals, occassionally broken on tracks like the mellow "Syntheiser", and that was there in abundance, but I also appreciated their musicality on this ocassion, many of the lesser known tracks showing off the band's talents.

On introducing "Rock and Roll Evacuation", Dick joked that it was written in response to George W Bush's election "When it seemed like the worst thing that could happen to America" and then smiled and said "And then something else happened", leaving the audience in no doubt of who that was.

The set, with the encore ("Dance Commander"), lasted about 90 minutes and I went back to the bar about 2/3rds way through as I needed a glass of water from too much dancing and the general crush. It's all one space though, so I was still in the room where they were performing, but not in the melee at the front any more.

It was, to say the least, a lively, exciting gig with the band seeming to be enjoying themselves too.

"Gay Bar" was, oddly, played in two short sections, which I didn't remember from Reading, but from the set lists I've found online, it seems common these days, at least. It was still enjoyable and did give us the pleasure of the intro twice, which is a definite highlight.

"Improper Dancing" is probably my favourite track and that had a great rendition, combined with "(Who The Hell Just) Call My Phone".

Of the tracks I was less familiar with, "Rock and Roll Evacuation", "Dance Epidemic", "I Buy The Drugs" and "Slices Of You" have stuck in my mind the following day, but everything was delivered (and received) with the same enthusiasm and energy.

The feeling I'd had at Reading was that their tracks get a bit samey after a while and I have to say that I had the same feeling to a degree this time as well, but I definitely enjoyed this gig more than the Reading one.

Somehow the band seemed more relaxed, Dick Valentine looked healthier and they seemed be enjoying themselves more, but maybe I'm just projecting my own feelings.

Either way, it was a fun night and, with the postponement of French band's, Keep Dancing Inc, gig until next May (as COVID continues to play havoc with normal life - As I correct a couple of typos a few days later, we have new restrictions coming into place!), a great way to almost certainly end my 2021 gig going.

Electric Six are definitely a band that knows how to deliver a good night out! Thanks guys.

Mr. Woman
Bride of the Devil
Rock and Roll Evacuation
After Hours
Naked Pictures (of Your Mother)
Down at McDonnelzzz
The New Shampoo
Gay Bar
Gay Bar Part Two
She's White
Slices of You
Be My Dark Angel
Infected Girls
Improper Dancing / (Who the Hell Just) Call My Phone
Danger! High Voltage
Daddy's Boy
Dance Epidemic
I Buy the Drugs
Dance Commander

Wednesday, 17 November 2021

Ren Harvieu - Boileroom, Guildford - November 16th, 2021

As the winter nights drew in, I found myself wanting a bit more entertainment

After a highly enjoyable evening at The Boileroom with Goan Dogs and their support, I scanned the upcoming dates there again and spotted Ren Harvieu was playing on the 16th November.

As is often the way, the name meant nothing to me, but a quick Google revealed a woman with an impressively good voice, so I booked a ticket.

I was more than a little miffed to find Guildford council had changed the parking to mean I was £4 out of pocket just to park, but I decided I'd ty not to let that spoil the evening.

There was virtually no-one in the Boileroom when I arrived and the tall man in the stripey trousers turned out (not unexpectedly) to be one of the support acts!

There were two billed support acts, but both actually turned out to be members of Ren Harvieu's band.

The first, Felix Holt, sat at the side of the stage at what could well have been a Hammond Organ, which seemed to intermittently play one note and then be changed a bit later to another. I'm pretty sure his whole set consisted of just two songs, the first, a dirge sang in a Bob Dylan style and lasting at least 10 minutes. The second was marginally more tuneful and melodic, but he defintely wasn't the best support act I've seen this year!

Next up was the lanky, stripey trouser clad singer, Robert Chaney, who was more conventional and definitely more enjoyable, playing a guitar and singing. Again, as a solo act, he wasn't great, but I'd been a bit spoilt by the Goan Dogs' support acts - He wasn't terrible.

At around 9PM, Felix and Robert, a cap wearing woman, a man it what looked like a terrible grey wig (I really hope it was a wig!) and two familiar looking people took the stage, followed shortly by Ren herself.

The familiar pair were Romeo and Michelle Stodart from The Magic Numbers - Not a band I'm a particular fan of, but I was aware of them and recognised them. Indeed I'm pretty sure Michelle supported Ben Watt when I saw him at the Boileroom, but looking back I didn't mention who the support was. I do recall, though, that she was pretty good and I was impressed to see Ren had got them onboard (It turned out that Romeo was, to a great extent, involved in her return to recording and touring, so he deserves thanks for that!)

Sadly, the venue was still poorly attended with less than 50 people present.

While it must have been disappointing for Ren and her band, they didn't let it show, putting on a quirky, entertaining show which was a mix of tracks from her latest album ('Revel In The Drama' - Self described as her 'second debut album') and her successful first album ('Through The Night').

The band were great, with particular credit going to the be-hatted woman who put in a virtuso display playing keyboards, violin and even a saw at one point and harmonising brilliantly with Ren on some songs.

However, the undeniable highlight was Ren's voice.

Why she isn't a huge superstar is difficult to understand to me. Her voice is so flexible, strong and clear, never jarring but capable of a great range. As she explained the history of 'Salford Superstar', she joked about children who sprang from the womb trained by Maria Carey, but her voice, while beautiful and wide ranging, never strays into the gimmicky histrionics of MC (a singer who always sounds like a cat in a tumble dryer to me...).

They kicked off with 'Teenage Mascara','Strange Things' and 'This Is How You Make Me Feel' from the new album, followed by a song called 'Soft' (a great song, but not listed on either album) and then 'Through The Night' and 'Do Right By Me', singles from the debut album.

'Is It Love','Dramatic Nonchalance' and 'Salford Superstar' don't appear on either album, but were highly enjoyable, while 'Yes Please', 'Curves and Swerves' (combined with 'A Wow and A Whizz' in what Ren described as a 'megamix') and 'Open Up Your Arms' were taken from the two albums.

Oddly the finale 'The Wonder Of It All', featuring the saw playing, felt a bit of an anti-climax and, sadly, there was no encore (in my experience, it's a rare thing at the Boileroom).

Personally, I'd have loved to hear her cover of 'Something', which is on YouTube, live as an encore.

Between tracks she chatted and seemed a very personable woman. Her long hiatus was, at least partly, due to a spine breaking accident between the recording and release of her first accident, and she talked about that (a little) and how she came to singing as a child.

A couple of times Ren observed that we were a small audience (hardly our fault), but that she hoped to see us again next year with the release of another album.

I really hope she does come back and that a bigger audience are drawn to her music.

If Ren Harvieu returns, I'll be there - I have to say, she probably has the most wonderful voice I've heard live.

Teenage Mascara
Strange Things
This Is How You Make Me Feel
Through The Night
Do Right By Me
Is It Love
Dramatic Nonchalance
Yes Please
Salford Superstar
Curves and Swerves
A Wow and A Whizz
Open Up Your Arms
The Wonder Of It All

PS Apologies for the terrible photos - I got a different camera and now realise I had it set on the lowest setting!

Friday, 29 October 2021

The Goan Dogs (Plus Worm Immortality Team & Pattern Pusher) - Boileroom, Guildford - October 25th, 2021

I'd been to see the Goan Dogs just before lockdown in 2020 and enjoyed it, so when I saw they were coming back I bought a ticket.

This time it was a cold Monday evening, when I turned up and, as before, there weren't many people there.

On this occasion there were two support acts, Worm Immortality Team and Pattern Pusher, and the first were soon on.

A few more people had arrived by then and a group of rather nerdy looking teenagers arrived and started playing - Initially they didn't look too promising, but then a waif-like girl appeared and started singing.

Musically, they were OK, but the girl's performance was quite interesting, lifting them to something worth listening to.

They got a good reaction from the audience and got a rousing applause when they finished. It was nice, too, to see them in the audience for the Goan Dogs later on!

Pattern Pusher were a three piece, self-described as an 'odd pop trio', with a lively bassist (who was even in the audience at one point!), a drummer and the lead singer who also played keyboards.

They had a more polished sound than the Worm Immortality Team and a more polished performance working through a cheerful, dancey set of tracks and certainly got the audience moving even more than 'the Team' had.

Maybe they could be accused of being a bit middle of the road, but the sound was pleasant and catchy and their performance was professional.

So two great support acts to get us started, the bar was pretty high! (Well the prices were at £6 a pint! But as my ticket had cost me about a tenner I was more than happy with the cost of the evening so far and the main act hadn't even played yet!).

And so to the Goan Dogs.

Since I'd last seen them I understand they'd got some radio play and while the small venue wasn't packed, there was certainly more people than 2020 and most people knew who they'd come to see, at least had heard their single on the radio.

Most of their songs tonight were taken from their recently released debut album and the tracks I knew were mostly absent, which was a bit of a shame as some of those were excellent.

Once again, they were very good live. I still can't really classify their sound, but it certainly felt, on this ocassion to have taken a slightly improvised, jazzy direction, which probably wasn't as catchy as older tracks, but certainly worked well in a live setting.

There was a lot of dancing, clapping and foot-tapping going on by the end of their set and the whole evening seemed almost absurdly good value when you consider the eye-watering prices some big acts charge to see them.

Bang for the buck, Worm Immortality Team, Pattern Pusher and the Goan Dogs blow Coldplay or Adele out of the water and I'm pretty sure I wouldn't have enjoyed a cold Monday with either of them half as much!

Setlist (Partial from Birmingham)
Call Your Mum
Passing Through
I Don't Want To Fight
Drinking on a School Night
Shut Up