Thursday, 29 May 2025

Martin Fry - The Barn, Ringwood - 28th May 2025

I'd never been to a 'book tour' event before, but the promise of some music between the chat from Martin Fry, front man of ABC, tempted me

We were told there were to be no phones or cameras at the event, so I have no images or video from the performance, but as I couldn't find any reviews before I went I thought I'd post one.

I booked the event at a venue in Ringwood, a town I know fairly well, but had never seen a gig at. Frustratingly, a week or so after booking, I saw he was also appearing in my home town, which would have saved me some petrol!

The venue itself is part of a school (We'd have called it the Assembly Hall in my day, but it's a bit fancier than that). I was a few rows back, but the angle of the seating meant everyone had a clear view of the stage.

As we waited, clips from various videos throughout ABC's career played over an instrumental medley of ABC tracks - It was quite slick.

As you can see, a keyboard and guitar were setup to the left of the stage, with a leather stool centre stage and a comfy armchair and another chair to the right.

At 7:30 (this was no music gig timetable!), the keyboard player and guitarist quietly appeared and took their places and then the lights went down and a voice asked us to welcome Martin Fry to the stage.

Mr Fry is now 67, but is still looking fit and trim, unlike some of his contemporaries.

I forget now if they started with a song or did some chatting first, but he did all the songs from the stool and chatted from the red armchair, where he was interviewed by a bespectacled man.

We got ABC's first single "Tears Are Not Enough", "Poison Arrow" and "All Of My Heart" from "The Lexicon Of Love", their iconic debut album, along with reminiscences of recording the album and the early days of the band.

Martin talked of their initial gigs in the UK and then touring around the world on the strength of the album and then coming back to Sheffield and the stark contrast that provided to their glamourous hotels and sights around the world, which impacted the style of their (difficult) second album, "Beauty Stab" - I'll admit it was a bit of a disappointment to me when it was released and didn't get played much, but it stands up better on relistening now, without the expectation of more of the same as "Lexicon".

They played "That Was Then But This Is Now" from that album and "(How to Be a) Millionaire" and "Be Near Me" from Zillionaire, which was a spell of greater success in the States for the band.

Martin then talked about his cancer and subsequent recovery, which fell between that and what I think is their second best album, "Alphabet Street", from which we got the famous "When Smokey Sings", the song that bought them back into the mainstream in the UK. Sadly we didn't get "King Without A Crown", one of my favourite ABC tracks.

A funny anecdote about Lady Gaga at the Royal Variety performance followed, along with some recollections of working with Hollywood and a significant missed opportunity to do so and then we had "Viva Love" from the "Lexicon of Love II" (Interestingly he mentioned it started life with the title "Lexicon of Lost Ideals", which might have lessened the burden of expectation the final title gave it) and a new song, "Never get to be the King" before the set rounded out with what Martin described as his signature song, "The Look Of Love".


Someone did video Look Of Love at another event on the tour

After a prolonged applause, Martin said that "It's all about the songs. The ones that changed the world like "What's Going On" and "Blowing in the Wind", but also about the ones you hear once and can never get out of his head and I'm going to pretend I wrote this one" and then performed the chorus of "Escape" by Rupert Holmes.

Sitting down the experience was quite passive, a dislike I have of all seated gigs generally, but in the context of an "Intimate Evening with..." it was acceptable - I've not been to see ABC for some years now, because all their gigs (with a full orchestra) are all seated, which I think is a shame and I wish Martin would tour with a more stripped back lineup again, although I'm sure the orchestral format is more lucrative.

I had no real expectation of the evening, imagining that it'd be a lot of chatting with a handful of songs, so the balance was a pleasant surprise and Martin's voice has held up well (As he mentioned at one point, there is 'nowhere to hide' in an acoustic gig) and I came away pleased I'd come along. #ABCMartinFry

Setlist:
Tears Are Not Enough
Poison Arrow
All of My Heart
That Was Then but This Is Now
(How to Be a) Millionaire
Be Near Me
When Smokey Sings
The Luckiest Man in the World
Viva Love
Never get to be the King
The Look of Love (Part One)
Pina Colada (Escape) - Rupert Holmes Cover

Friday, 16 May 2025

Skinny Lister - The Fighting Cocks, Kingston - 13th May 2025

"I tell people you're the most exciting live band out there today."

This is what I told Lorna of Skinny Lister I say to people about Skinny Lister, as we had a quick chat before the gig.

I first saw them at the West End Centre in Aldershot, where they literally burst onto the stage with the first note of their set and blew me away with the rest of it.

I've seen them since, but due to their relentless touring and recording schedule, recent gigs have nearly all been in the depths of December (It's the same again this year!), so when I saw they were doing an 'album launch' gig in Kingston (for Banquet Records) the day before my birthday with a CD copy of their new album included for just £16, it was a very easy decision to book a ticket as soon as they were available.

I had expected the gig to be at Pryzm, the nightclub/venue I'd seen all the other Banquet run events at, but this was just around the corner in the pub/venue called The Fighting Cocks.

I found the venue easily enough and there was virtually no-one there when I arrived, so I went back to the main bar, where the variety of beers was better, and purchased an excellent Stout.

The venue almost certainly counts as the smallest I've ever been to, making even the West End Centre seem capacious by comparison.

An email had arrived the previous day to say there was an 'issue' with their support and another followed early in the day to say "Man The Lifeboats" where the support - The presence of a support at all marked this out as unusual amongst the 'album release' events I'd attended, none of the others had one.

Two men appeared, one with a guitar and the other an accordian and they described themselves as "two-fifths of Man The Lifeboats" and started their set.

They are not dissimilar in style to Skinny Lister, 'Shanty Punk' being a term the Lister's termed but could equally apply to MTL.

They were lively, entertaining and quite humourous between songs. "We make a bigger noise with a drummer and two more members, but we go out of time a lot more, so this is probably as good as you'll ever hear us", the guitarist quipped after one song.

We even had an impromptu cèilidh at one point, stepping forward and back and clapping, although due to my location, I quickly gave up as I was mainly stepping on people sitting by the wall's feet!

An enjoyable 40 minutes or so passed with Man The Lifeboats, but, of course, we were here for the main event.

By 9PM, the venue was packed and it was feeling pretty hot inside, but that didn't stop the energy or enthusiasm of Skinny Lister or the audience, an interesting mix of 60 somethings and 20 somethings on the whole, all of who seemed to know at least most of the songs.

They started with a couple of songs from the new album, which I'd heard, "Yorkshire Belle", "Plough On", "Set Us Straight" (I hadn't heard that one before) and "Song From The Yonder" (the title track).

Then we had "Wanted", "Bristol Bound" (another new, very catchy, track) and then old favourites "George's Glass", "Tragedy in A Minor", "Unto The Breach", "Mantra" (better live than on the previous album, I felt), "13 Miles" (a great song) and numerous others definitely finishing out the 'official' set on "Rollin' Over", "Colours", "Cathy", "Company of the Bar" and "Trouble on Oxford Street" (their most famous song, perhaps and an energy packed one to finish on.

Lorna then, rather academically, asked if we were in a rush to leave and of course, got a resounding "NO!" and we had two more songs, one of which was a request from the crowd and a young man and woman picked from the crowd came up and joined in (The same happened with a woman who clearly didn't know the words to 'her' song earlier and for a bride to be, who did, for Forty Pound Wedding in the main set - hence the list below isn't 100% right for this venue) for Six Whiskies to end on.

With that it was nearing 10:30PM and as we left, we were presented with our signed copies (a really nice touch, which I hadn't expected) of the album in whichever format we had chosen.

So, were Skinny Lister still "The most exciting live band out there today"? It's a bold claim, but I struggle to think of a band who can so instantly engage an audience and deliver such an energy packed set from end to end, so prove me wrong!

Setlist: (From a different night, but close)
Yorkshire Belle
Plough On
Set Us Straight
Song From the Yonder
Wanted
Bristol Bound
George's Glass
Tragedy in A Minor
Unto the Breach
Mantra
13 Miles
Arm Wrestling in Dresden
Bold as Brass
John Kanaka ([traditional] cover)
Rollin' Over
Colours
Cathy
Company of the Bar
Trouble on Oxford Street
Encore:(more of a continuation really!)
Hamburg Drunk
Six Whiskies
#SkinnyLister